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Shadong Boardgame

《沙东桌游》是一款对山东酒桌文化进行魔幻戏剧化改编并融合了行为表演、现成品装置的多人博弈对抗型游戏。

玩家将会扮演现实酒桌中宾、陪两阵营的角色,按照卡牌的文字指示对其它玩家进行敬酒挡酒劝酒等行为。规定时间内,喝得杯数最少的阵营为胜方,胜方中杯数最多的为MVP,个人杯数上限为20杯,超过则算出局。

卡牌分为常规牌、角色牌、菜牌、掀桌牌,属性上分进攻、防御、转移,每张卡分SABC等级。卡牌上的文本大多数都是改编自现实中的话术与规矩。

Game Installation Performance,2021-2022-2023-

水赛杯国际当代艺术大奖赛

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水赛杯国际当代艺术大奖赛是我2023开始策划的一场恶搞性质的艺术竞赛,我戏仿了市面上以权钱交易为目的艺术竞赛,将水赛杯包装成看似专业化、国际化、大规模的样式,以一种反艺术的黑色幽默对高校的绩效考核模式和艺术界的评价标准和身份焦虑等问题进行介入与思辨,在抽象与狂欢中消解其权威性。

水赛杯国际当代艺术大奖赛,​参与式事件,2023-4

FCIPC

我在手机地图软件的全景地图中举办了一场线下赛车电竞比赛。玩家将在地图APP的全景地图中通过手指点击屏幕中的方向键来控制“地图车”的移动,不断突破手速与网速的极限,以找到通往胜利的最快途径。

Film, Game, Performance,2021-11

Facial Recognition to Smash Walnuts

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我将核桃绑在我的装有人脸识别系统的校门上,通过数十次的人脸识别进出,带动门杂碎核桃。我试图通过一种荒诞无功的行为,来与一个庞大的系统进行对话并利用它。

Performance ,13m48s,2021-6

Catching Sheeps
 

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"Sheep(羊)" in Chinese sounds like "Yang(阳)" and is often used to refer to COVID-19 positive(阳性) patients.

 

I used this depersonalized nickname as a starting point to capture my observations and feelings during my three months of life in locked-down Shanghai in 2022, using a darkly humorous visual style.

3D film,2m39s,2022.5

On Your Threshold

Film,7m03s,2021.4

我针对在COVID期间被学校管理层不合理地隔离的经历制作了这部短片,来隐喻权力如何入侵到生活的每一个细微空间的过程。画面中的三屏从左至右分别为校门出口、游戏录屏、入口。当入口的扫脸成功时,中屏的播放速度会+50%,当出口成功或失败时,则会暂停直到入口处扫脸成功。

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Performance,2021.12

该项目是一项参与式的现场行为表演作品,该项目灵感来源于我在中国军事化管理的初中就读期间的相关经历。参与者可领取带有规则指令的文本在现场空间伴随着我的表演进行朗读,共同营造一种抽象的噪音声景。

The Wave
 

24/7
 

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Gaoyuan Chen & Xiaoyu Jia ,3D film,5m44s,2022.1

This is a short digital film about contemporary life and escape. In this world, the circadian sense of time has been blurred or even lost. Digital technology and the internet have created a myriad of landscapes in our world, where the boundaries between the virtual and the real are gradually blurred, and the human body is objectified, randomly placed and distorted. We jump back and forth from grid to grid, torn between work, capital and eternal anxiety.

机密录像,影像 ,静帧,6分,2022.11

"It took us seven days and seven nights to finally fix Agent Murphy's last footage. "


The short film mimics a surreptitious point of view, using gritty video textures and absurd plot setups to respond to my impotence and irony at the cascading absurdities during the 2022 epidemic.

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Confidential Video - Brother Dragon
 

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I fictionalised a world where you have to barf your mouth to eat and imagined how this world would differ from the current one in this setting.

如果这是个必须吧唧嘴的世界,影像 ,静帧,2分26秒,2023.1

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